Time of Sky & Castles in the AirTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu

 


bharatjiva
Portrait of
Colon Dash Parenthesis

Jeffrey Jullich

 



bharatjivaBharat jiva

kari edwards

 

 


bharatjiva
NO GENDER

edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell



bharatjiva
Hyperglossia

Stacy Szymaszek

 

 


bharatjiva
From Dame Quickly

Jennifer Scappettone

 

 

bharatjivaFace Before Against
Isabelle Garron
Translated by Sarah Riggs

 

 

bharatjivaAnimate, Inanimate Aims
Brenda Iijima

 

 


fruitlandsFruitlands

Kate Colby

 

 


four from japanFour from Japan

Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu


counter daemonsCounter Daemons

Roberto Harrison

 

 


emptied of all shipsEmptied of All Ships

Stacy Szymaszek

 

 


inner china Inner China

Eva Sjödin
Translated by Jennifer Hayashida

 



mudraThe Mudra
Kerri Sonnenberg

 

 



another kind of tendernessAnother Kind of Tenderness

Xue Di
Translated by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson



euclid shuddersEuclid Shudders

Mark Tardi

 

 



notebooksNotebooks 1956-1978

Danielle Collobert
Translated by Norma Cole

 

 

house seen from nowhereThe House Seen from Nowhere
Keith Waldrop

Euclid Shudders: Main | Excerpt



Mark Tardi

Mark TardiMark Tardi is the author of the book Euclid Shudders (Litmus Press) and two chapbooks: Part First––––Chopin's Feet (g-o-n-g) and Airport music (Bronze Skull). Recent poems have appeared in Chicago Review, Van Gogh's Ear, and the anthology The City Visible: Chicago Poetry for the New Millenium. He was the 2009–2010 Fulbright Senior Lecturer in American Literature and Culture at the University of Łódź and continues to teach there, translate Polish poetry, and torture himself with clay-court tennis, devastating bike rides and undying support for the Chicago Cubs and Liverpool FC.

Mark Tardi's poetry gives language back to that inanimate mass from which it, and we, originated. Every utterance is an act of configuration and every scribble traces a fleeting delineation between states of being and non-being. Tardi's poems exhale from the apparently insensate and resign the animate to perpetual motion. In this universe of receding matter and pulsing energy, Mark Tardi sets out to locate those "unpronounced angles" which make up the invisible but inextricable geometry of our lives. —Craig Watson

Euclid might well shudder at how far the line has come. In his wonderfully unruly first book, Mark Tardi composes an isotopic realm of getting and letting go, a kind of chemical algebra of the alleged world as it verges into music. —Elizabeth Willis

 

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