 |  | ||||||||||||||
 | | |  | | |  | | |  | | |  | | |  | | |  | | |  | |
 |
| Fruitlands Kate Colby |
| Counter Daemons Roberto Harrison |
| Animate, Inanimate Aims Brenda Iijima |
| The Mudra Kerri Sonnenberg |
| Emptied of All Ships Stacy Szymaszek |
| >> Euclid Shudders Mark Tardi |
| The House Seen from Nowhere Keith Waldrop |
 |
| Notebooks 1956-1978 Danielle Collobert |
| Face Before AgainstIsabelle Garron |
| Four from Japan: Contemporary Poetry & Essays by WomenKiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi, Takako Arai |
| Inner ChinaEva Sjödin |
| Another Kind of Tenderness Xue Di |
Main | Excerpt | Author Bio
Excerpt from Euclid Shudders
series 29
Assemble its reciprocus
with a vacant knot
blood silence
disaffected by
weathered in wire
antic pillars
sunken skyward
the plastic velocity
otherwise unseen
folding sleep
between two keys
some indistant auricle
identical orphan
said with shorn eyes
series 31
The pivot chord is B
which sounds as A in the new key of E. Folds of sleep between clouded
and out loud. Its portion of night
remains leaf-long and less than a foot away. A ladder of liquid. Or
city forgetting to ask. Exactly like a statue. Old fires and profitable
ghosts. A phrase worth repeating.