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poetry
Fruitlands
Kate Colby
Counter Daemons
Roberto Harrison
Animate, Inanimate Aims
Brenda Iijima
From Dame Quickly
Jennifer Scappettone
The Mudra
Kerri Sonnenberg
Emptied of All Ships
Stacy Szymaszek
Hyperglossia
Stacy Szymaszek
Euclid Shudders
Mark Tardi
The House Seen from Nowhere
Keith Waldrop
translations
>> Notebooks 1956-1978
Danielle Collobert
Face Before Against
Isabelle Garron
Four from Japan: Contemporary Poetry & Essays by Women
Kiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi, Takako Arai
Inner China
Eva Sjödin
Another Kind of Tenderness
Xue Di
notebooks 1956-1978

In Danielle Collobert's Notebooks the urgency of her writing is accompanied by the weight of hindsight—that we know how it ends—and yet it is not stifled by morbidity. Instead, the intensity and integrity of her struggles rise to the surface. Collobert's questions—of presence in the world, of politics and intimacy—are constantly recovered from the blur of experience. Collobert moves towards and away in a feverish attempt to connect, stay connected—whether in her personal encounters, moments of activism or writing—and though she ultimately chooses death, there is enough life in her writing to carry on: "the hum of life all around..I open/ and I close."

"beyond everything she had discovered her own utter nakedness: that owned by nights of relentless attention to the other, or reflected in mirrors of all-night cafes where you can look, listen or simply wait, attending the blank page, from which the lassitude of daybreak will rescue you, overwhelm you."

—Uccio Esposito-Torrigiani, from the Postface