| Fruitlands Kate Colby |
| Counter Daemons Roberto Harrison |
| Animate, Inanimate Aims Brenda Iijima |
| The Mudra Kerri Sonnenberg |
| >> Emptied of All Ships Stacy Szymaszek |
| Euclid Shudders Mark Tardi |
| The House Seen from Nowhere Keith Waldrop |
| Notebooks 1956-1978 Danielle Collobert |
| Face Before AgainstIsabelle Garron |
| Four from Japan: Contemporary Poetry & Essays by WomenKiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi, Takako Arai |
| Inner ChinaEva Sjödin |
| Another Kind of Tenderness Xue Di |
Main | Excerpt | Author Bio | Reviews
Stacy Szymaszek places her readers in a border situation. Here is a poetics of extreme condensation. "ink a hinge here/ ‘n here/ ‘n mother/ make me limber." Where traces are, lines remain. Magic is implicated in every shot and countershot. This is idiosyncratic and stunning work.
—Susan Howe
Each poem is what I am looking for: a resonance with a particular location, an intelligence unafraid of its humanity, a sort of desperate adequacy with the people or objects that Szymaszek encounters.
—Etel Adnan
'Emptied of All Ships' is a setting out into crucial waters.
Each word here has its own weight and position—its own vital movement
between poles of loss
and discovery. With our sight-lines thus widened, the observance itself
becomes activated—another mode of transport. A poetry of brevity is a
tough task
(especially the word-as-line), but in these pages it registers as
achievement.
—George Albon

