| >> Fruitlands Kate Colby |
| Counter Daemons Roberto Harrison |
| Animate, Inanimate Aims Brenda Iijima |
| The Mudra Kerri Sonnenberg |
| Emptied of All Ships Stacy Szymaszek |
| Euclid Shudders Mark Tardi |
| The House Seen from Nowhere Keith Waldrop |
| Notebooks 1956-1978 Danielle Collobert |
| Face Before AgainstIsabelle Garron |
| Four from Japan: Contemporary Poetry & Essays by WomenKiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi, Takako Arai |
| Inner ChinaEva Sjödin |
| Another Kind of Tenderness Xue Di |
Main | Excerpt | Author Bio | Reviews
Excerpt from Fruitlands
Meridian
Turning to
weightless
implements
of gear-click
hedging in
instamatic
blue, our ticking
gaze
in light
like waves,
overturning
A lifeline,
a forerunning wake of life
rafts and instruments,
liminal seconds
in cesium
skimmed threshold
or eleventh hour
draped
across
the doorjamb.
We lack fear of flatness
or our impalement
on axes, blinking
a reticle of stasis;
turn it over and begin
again, this dripping
like TV test patterns.
Let’s stay, I say,
and buoy ourselves
in river locks
intercalated
in channels
or our fender-bent
synapses, recycling
this floating.
Never believing in water torture or autisms as misfortune,
we were counting gold in a pointillistic landscape of radiating
boulevards. In Budapest, a necropolis of shifting foci grid-dots,
Soviet heroes, missing limbs.
The thought does not sadden us,
but the calculation
of sundials;
whether flat or equatorial
they always deliver
this sublimating ice
(we are tapping on the ceiling)

