| Fruitlands Kate Colby |
| Counter Daemons Roberto Harrison |
| >>Animate, Inanimate Aims Brenda Iijima |
| The Mudra Kerri Sonnenberg |
| Emptied of All Ships Stacy Szymaszek |
| Euclid Shudders Mark Tardi |
| The House Seen from Nowhere Keith Waldrop |
| Notebooks 1956-1978 Danielle Collobert |
| Face Before AgainstIsabelle Garron |
| Four from Japan: Contemporary Poetry & Essays by WomenKiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi, Takako Arai |
| Inner ChinaEva Sjödin |
| Another Kind of Tenderness Xue Di |
Main | Excerpt | Author Bio | Reviews
Drawing the Animate, Inanimate Aims together, they settle into difference. With subtle contagion of body as structured text, titled ligatures in the midst, thick with emotional matériel, Brenda Iijima’s work rhymes—off or near—sight as sound. Nature for culture, culture as nature, “we/ can play school under a tree” or at war. Breaking and building in twitchy compression, the way Marie Menken’s hand-held camera swings, framed and fabulous, this exuberant tragic book of drawings and poems will hook you.
—Norma Cole
A kind of necessity is created here for saying, rejuvenating myths, turning anger into jouissance, making of thoughts a river of light...Beware: we won't be chagrined anymore; such subversion is the changing of the world.
—Etel Adnan


