MurderMurder
Danielle Collobert
Trans. by Nathanaël
 
Then Go OnThen Go On
Mary Burger
 
I Want to Make You SafeI Want to Make You Safe
Amy King
 
O BonO Bon
Brandon Shimoda
 
BeauportHow Phenomena Appear
to Unfold

Leslie Scalapino
 
BeauportBeauport
Kate Colby
 
Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu
 
bharatjivaPortrait of
Colon Dash Parenthesis

Jeffrey Jullich
 
bharatjivaBharat jiva
kari edwards
 
No GenderNO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
 
HyperglossiaHyperglossia
Stacy Szymaszek
 
From Dame QuicklyFrom Dame Quickly
Jennifer Scappettone
 
Face Before AgainstFace Before Against
Isabelle Garron
Trans. by Sarah Riggs
 
Animate Inanimate AimsAnimate, Inanimate Aims
Brenda Iijima
 
fruitlandsFruitlands
Kate Colby
 
four from japanFour from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
 
counter daemonsCounter Daemons
Roberto Harrison
 
emptied of all shipsEmptied of All Ships
Stacy Szymaszek
 
inner china Inner China
Eva Sjödin
Trans. by Jennifer Hayashida
 
mudraThe Mudra
Kerri Sonnenberg
 
another kind of tendernessAnother Kind of Tenderness
Xue Di
Trans. by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
 
euclid shuddersEuclid Shudders
Mark Tardi
 
notebooksNotebooks 1956-1978
Danielle Collobert
Trans. by Norma Cole
 
house seen from nowhereThe House Seen from Nowhere
Keith Waldrop
Excerpt | Postface



hyperglossiaNotebooks, 1956-1978

Danielle Collobert

Translated by Norma Cole

2003 • 84 pp. • $12.00 • ISBN: 0-9723331-1-8
Cover photographs by Claude Royet-Journoud
Cover design by Norma Cole

Dalkey Archive Press on reading Danielle Collobert.
The Weaklings review by Dennis Cooper. September 3, 2009
.
Esther Press review. August 2004.
Rain Taxi review. Vol. 9 No. 2, Summer 2004 (#34).

SPD




In Danielle Collobert's Notebooks the urgency of her writing is accompanied by the weight of hindsight—that we know how it ends—and yet it is not stifled by morbidity. Instead, the intensity and integrity of her struggles rise to the surface. Collobert's questions—of presence in the world, of politics and intimacy—are constantly recovered from the blur of experience. Collobert moves towards and away in a feverish attempt to connect, stay connected—whether in her personal encounters, moments of activism or writing—and though she ultimately chooses death, there is enough life in her writing to carry on: "the hum of life all around..I open/ and I close."

—E. Tracy Grinnell


"beyond everything she had discovered her own utter nakedness: that owned by nights of relentless attention to the other, or reflected in mirrors of all-night cafes where you can look, listen or simply wait, attending the blank page, from which the lassitude of daybreak will rescue you, overwhelm you."

—Uccio Esposito-Torrigiani, from the Postface

 

"She enunciates the words for desire and for loss of the other words with harrowing intensity... [and] explores the limits of the phenomenal body and of speech by the agency of a prose which defies category."

— Michael Palmer




nysca

The publication of this book is made possible, in part, by support from:

Connect with us on facebook

To join our mailing list, please enter your email address:

Litmus Press ..| ..925 Bergen Street, Suite 405.| ..Brooklyn, New York 11238 ..| ..Email

Website designed by HR Hegnauer