Michelle Gillett for The Rumpus reviews Amy King's I Want to Make You Safe.
January 14, 2012

January 3, 2012

Poets & Writers features a video of Amy King reading "Lidija Dimkovska Has Made a Bomb of My Eyes," from I Want to Make You Safe.
January 3, 2012

Amy King's I Want to Make You Safe is #17 on Coldfront's list of Top 30 Poetry Books of 2011, with a short review by John Deming
January 1, 2012

Logan Fry for Galatea Resurrects reviews Portrait of Color Dash Parenthesis by Jeffrey Jullich.
December 22, 2011

Patrick James Dunagan for Galatea Resurrects reviews How Phenomena Appear to Unfold by Leslie Scalapino.
December 22, 2011

Michael Brodeur at the Boston Globe names Amy King's I Want to Make You Safe among the best poetry books of 2011
December 18, 2011

Sally Rosen Kindred on ConnotationPress.com reviews Amy King's I Want to Make You Safe
December 2011

PEN.org’s holiday round-up of small press releases mentions Brandon Shimoda’s O Bon
December 15, 2011

Joshua Marie Wilkinson at The University of Arizona Poetry Center gives advance praise for Brandon Shimoda’s O Bon
November 2011

Small Press Distribution names I Want to Make You Safe by Amy King and O Bon by Brandon Shimoda as poetry best-sellers.
November - December 2011

The French Exit gives early praise to I Want to Make You Safe by Amy King.
November 22, 2011

Cara Benson for Jacket2 reviews Bharat jiva by kari edwards.
"Bharat jiva a penultimate comment on the banality and glimmering potential holdout of humanity. Philosophy of philosophy, planetary biological religious cosmic consideration afloat on the tension of gerunds manifesting without always an I, yet I speaks (“did I not say”). There is agency in the dynamic vibrational circumstances through an accumulation of modifying phrases that eventually land on a sentence’s subject, but not always and not definitively, and the subject transmogrifies through sediment layering accumulation."
Click here to read the full review.
November 7, 2011

New Pages reviews How Phenomena Appear to Unfold.
"Longtime readers of Leslie Scalapino’s poetry and writings will appreciate this expansion of How Phenomena Appear to Unfold, a collection of some of Scalapino’s poetry as well as extensive coverage of her essays and critical writing."
Click here to read the full review.
September 1, 2011

Rob Mclennan reviews How Phenomena Appear to Unfold.
"The expansive nature of the project, which could have broadened further over years, is only one of many regrets such a volume can't help but contain, as well as an awe in the kind of work she'd been able to accomplish, adding further to the conversation of a number of writers and their works. When any writer dies, there is always the question of what we didn't know about, what works might not have yet appeared in print, a natural impulse against the fear of never seeing new work by that writer ever again. Throughout these essays, explorations, poems and prose-works, Scalapino unfolds, appears to unfold, and perhaps unfolds, one layer at a slowly time."
Click here to read the full review.
August 30, 2011

The Kemper Museum of Contemporary Art has aquired Petah Coyne’s “Untitled # 1336 (Scalapino Nu Shu)” (2009-2010) as the centerpiece of “The Big Reveal,” an exhibit of more than two dozen new acquisitions. It opens September 23, 2011.
Click here to read more.

How Phenomena Appear to Unfold is named a Small Press Distribution Non-Fiction Best-Seller.
April - June 2011

The Poetry Foundation's Harryette blog reviews Aufgabe 10:
"Litmus Press has just put out the tenth issue of its excellent journal Aufgabe, featuring contemporary French poetry and poetics in translation, guest edited by Cole Swensen. That’s in addition to plentiful reviews, essays, notes and poetry of other sorts. That TOC is chock full!"
Click here to read the full review.
August 2, 2011

Rob McLennan reviews Aufgabe 10.
August 1, 2011

Charles Bernstein reviews How Phenomena Appear to Unfold by Leslie Scalapino for Jacket2:
"As always, Scalapino pushes beyond any easy sense of essay. What unfolds here is the startling unexpectedness of thought, articulated in visual and verbal forms that confound genre categories. In this book, Scalapino creates fields for thinking-as-perception, in which the poem emerges from the essay as counterpoint and newly forming foundation. The complex of disparate parts creates working models for a social formalism."
Click here to read the full review.
July 3, 2011

Listen to Stacy Szymaszek read from Hyperglossia at the Bowery Poetry Club.
May 30, 2009