BeauportThen Go On
Mary Burger
 
BeauportI Want to Make You Safe
Amy King
 
O BonO Bon
Brandon Shimoda
 
BeauportHow Phenomena Appear
to Unfold

Leslie Scalapino
 
BeauportBeauport
Kate Colby
 
Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu
 
bharatjivaPortrait of
Colon Dash Parenthesis

Jeffrey Jullich
 
bharatjivaBharat jiva
kari edwards
 
No GenderNO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
 
HyperglossiaHyperglossia
Stacy Szymaszek
 
From Dame QuicklyFrom Dame Quickly
Jennifer Scappettone
 
Face Before AgainstFace Before Against
Isabelle Garron
Trans. by Sarah Riggs
 
Animate Inanimate AimsAnimate, Inanimate Aims
Brenda Iijima
 
fruitlandsFruitlands
Kate Colby
 
four from japanFour from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
 
counter daemonsCounter Daemons
Roberto Harrison
 
emptied of all shipsEmptied of All Ships
Stacy Szymaszek
 
inner china Inner China
Eva Sjödin
Trans. by Jennifer Hayashida
 
mudraThe Mudra
Kerri Sonnenberg
 
another kind of tendernessAnother Kind of Tenderness
Xue Di
Trans. by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
 
euclid shuddersEuclid Shudders
Mark Tardi
 
notebooksNotebooks 1956-1978
Danielle Collobert
Trans. by Norma Cole
 
house seen from nowhereThe House Seen from Nowhere
Keith Waldrop
O Bon: Main | About the Author



Excerpt from I Want to Make You Safe

by Amy King

LIDIJA DIMKOVSKA HAS MADE A BOMB OF MY EYES

Lidija Dimkovska has made a bomb of my eyes, pulled the pin and
women become the new ramparts from which we watch the old world spin
into you know what gets them: the vacuum,
the tweezers, the archway of Gotham that invites us
to Slovenian cities, Serbian farms, Croatian seasides,
all the way to a little boat that rides the moat
of give me everything with nothing,
the mouth that makes gestures, eyes that eat at digestive sounds,
ears that send words for the censure of players
exhibiting the Christian accent in
beetle-winged chords, beyond which I swallow the air and am stuffed
with American promise of a flat sky’s mouth
opening and surrounding itself in one fat gulp. I sell
thin vine snakes into my lover’s arteries; her knee cannot bear
the pressure of how long I disappear in discussions at the disco
or saccharine flowers, and the way her eyes gambol.
I said to you beneath the glittery ball watching her little legs twist,
“We all know the beyond words, before within, but do words know us?”
Language speaks our very tender selves
into birth but
do words look human
as silhouettes and know their creators, their creatures,
call us ships and light lanterns, bang crosses, call stars, or nail us
to the bow and bow before us
and cry to wish to love and touch us, our blooded sticky brows?
Do they chart their lives to tremble in the cracks of their own imperfect smiles?
The prayers they bear, do they know the way we toy with their topless heads?
My insect flies at your insect with spindly legs whose sticks are chalk
marks traced into the world with karate chops,
dusty hairs that trace the outline of air
in hopes of finding jaw skin, cheek corners, chiseled lips of what gets spoken
and kiss the crevice between insect mouth and mammal eye,
no distance between countries but the sky’s mouth on repeat
enveloping mother and thumb at the heels of a baby thumb,
the coos that sling past and sighs that
melt into pleas of karaoke machines by instinctual women who
tune their oxygen to revolving seats of stardom, the little sexy bleating lambs.

 

 



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