BeauportI Want to Make You Safe
Amy King
 
O BonO Bon
Brandon Shimoda
 
BeauportHow Phenomena Appear
to Unfold

Leslie Scalapino
 
BeauportBeauport
Kate Colby
 
Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu
 
bharatjivaPortrait of
Colon Dash Parenthesis

Jeffrey Jullich
 
bharatjivaBharat jiva
kari edwards
 
No GenderNO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
 
HyperglossiaHyperglossia
Stacy Szymaszek
 
From Dame QuicklyFrom Dame Quickly
Jennifer Scappettone
 
Face Before AgainstFace Before Against
Isabelle Garron
Trans. by Sarah Riggs
 
Animate Inanimate AimsAnimate, Inanimate Aims
Brenda Iijima
 
fruitlandsFruitlands
Kate Colby
 
four from japanFour from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
 
counter daemonsCounter Daemons
Roberto Harrison
 
emptied of all shipsEmptied of All Ships
Stacy Szymaszek
 
inner china Inner China
Eva Sjödin
Trans. by Jennifer Hayashida
 
mudraThe Mudra
Kerri Sonnenberg
 
another kind of tendernessAnother Kind of Tenderness
Xue Di
Trans. by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
 
euclid shuddersEuclid Shudders
Mark Tardi
 
notebooksNotebooks 1956-1978
Danielle Collobert
Trans. by Norma Cole
 
house seen from nowhereThe House Seen from Nowhere
Keith Waldrop
Fruitlands: Main



Excerpt from Fruitlands

by Kate Colby

Meridian


Turning to
weightless
implements
of gear-click
hedging in

instamatic

blue, our ticking
gaze
in light
like waves,
overturning

A lifeline,
a forerunning wake of life
rafts and instruments,
liminal seconds
in cesium
skimmed threshold
or eleventh hour

draped
across
the doorjamb.

We lack fear of flatness
or our impalement
on axes, blinking
a reticle of stasis;
turn it over and begin
again, this dripping
like TV test patterns.

Let’s stay, I say,
and buoy ourselves
in river locks
intercalated
in channels
or our fender-bent
synapses, recycling

this floating.

Never believing in water torture or autisms as misfortune,
we were counting gold in a pointillistic landscape of radiating
boulevards. In Budapest, a necropolis of shifting foci grid-dots,
Soviet heroes, missing limbs.

The thought does not sadden us,
but the calculation
of sundials;
whether flat or equatorial

they always deliver

this sublimating ice

(we are tapping on the ceiling)


 


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