bharatjivaBharat jiva
kari edwards

 

 


bharatjiva
NO GENDER

edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell



bharatjiva
Hyperglossia

Stacy Szymaszek

 

 


bharatjiva
From Dame Quickly

Jennifer Scappettone

 

 

bharatjivaFace Before Against
Isabelle Garron
Translated by Sarah Riggs

 

 

bharatjivaAnimate, Inanimate Aims
Brenda Iijima

 

 


four from japanFour from Japan

Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Translated by Sawako Nakayasu


counter daemonsCounter Daemons

Roberto Harrison

 

 


emptied of all shipsEmptied of All Ships

Stacy Szymaszek

 

 


inner china Inner China

Eva Sjödin
Translated by Jennifer Hayashida

 



mudraThe Mudra
Kerri Sonnenberg

 

 



another kind of tendernessAnother Kind of Tenderness

Xue Di
Translated by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson


euclid shuddersEuclid Shudders

Mark Tardi

 

 



notebooksNotebooks 1956-1978

Danielle Collobert
Translated by Norma Cole

 

 

house seen from nowhereThe House Seen from Nowhere
Keith Waldrop

Excerpt



bharatjivafruitlands

Kate Colby

2006 • 80 pp. • $12.00
ISBN: 0-9723331-9-3

Winner of the Poetry Society of America's 2007
Norma Farber First Book Award

Interview with Kate Greenstreet in Bookslut,
March 2008

Interview with Kate Greenstreet on Every Other Day,
April 27, 2007

Review by Sommer Browning in CutBank,
March12, 2007

SPD




Taking its title from the transcendentalist utopian community founded by Bronson Alcott, Fruitlands offers its own visionary perspective on contemporary life. In this collection, cultural work is social innovation, and Kate Colby produces and decomposes identity, history, and narrative through fully engaged aesthetic practice. While Fruitlands views the architectural or urban plan from the vantage of an Archimedean point, it inverts the telescope to record transformative and occasionally anarchic encounters on the human scale. Colby maps out exciting possibilities for poetry and other spaces of representation in this stunning debut.

— Paul Foster Johnson

 

Under pressure, under duress, being a creature of habit caught in the sudden glare of utopic wishfulness, one wakes up in Fruitlands, smuggled inside Colby's intriguing and recombinant language of surveillance, pulled into suggested routes of survival and eco-linguistic liberties in a century you suddenly desire.

— Kathleen Fraser

 

Kate Colby has a gift for blending observation with lyric energy and wit. Capturing the world through a constantly shifting frame, these poems urge us to consider the difference between the "false spring" and the real one. Colby's field of reference ranges from Hofstadter to Schwarzenegger, and her ambitious title poem will leave you reeling.

— Elizabeth Willis




nysca

The publication of this book is made possible, in part, by support from:

 

Connect with us on facebook ..| ..Follow us on twitter

To join our mailing list, please enter your email address:

Litmus Press ..| ..925 Bergen Street, Suite 405.| ..Brooklyn, New York 11238 ..| ..Email

Website designed by HR Hegnauer