BeauportI Want to Make You Safe
Amy King
 
O BonO Bon
Brandon Shimoda
 
BeauportHow Phenomena Appear
to Unfold

Leslie Scalapino
 
BeauportBeauport
Kate Colby
 
Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu
 
bharatjivaPortrait of
Colon Dash Parenthesis

Jeffrey Jullich
 
bharatjivaBharat jiva
kari edwards
 
No GenderNO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
 
HyperglossiaHyperglossia
Stacy Szymaszek
 
From Dame QuicklyFrom Dame Quickly
Jennifer Scappettone
 
Face Before AgainstFace Before Against
Isabelle Garron
Trans. by Sarah Riggs
 
Animate Inanimate AimsAnimate, Inanimate Aims
Brenda Iijima
 
fruitlandsFruitlands
Kate Colby
 
four from japanFour from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
 
counter daemonsCounter Daemons
Roberto Harrison
 
emptied of all shipsEmptied of All Ships
Stacy Szymaszek
 
inner china Inner China
Eva Sjödin
Trans. by Jennifer Hayashida
 
mudraThe Mudra
Kerri Sonnenberg
 
another kind of tendernessAnother Kind of Tenderness
Xue Di
Trans. by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
 
euclid shuddersEuclid Shudders
Mark Tardi
 
notebooksNotebooks 1956-1978
Danielle Collobert
Trans. by Norma Cole
 
house seen from nowhereThe House Seen from Nowhere
Keith Waldrop
Excerpt | Also from Kate Colby: Beauport



Fruitlandsfruitlands

Kate Colby

2006 • 80 pp. • $12.00 • ISBN: 0-9723331-9-3
Cover photo: Orchard House c.1865.
Courtesy of the Louisa May Alcott Memorial Association

Norma Farber First Book Award Winner from the Poetry Society
  of America. 2007.
CutBank review by Sommer Browning. March12, 2007.
Bookslut interview with Kate Greenstreet. March 2008.
Every Other Day interview with Kate Greenstreet. April 27, 2007.

SPD




Taking its title from the transcendentalist utopian community founded by Bronson Alcott, Fruitlands offers its own visionary perspective on contemporary life. In this collection, cultural work is social innovation, and Kate Colby produces and decomposes identity, history, and narrative through fully engaged aesthetic practice. While Fruitlands views the architectural or urban plan from the vantage of an Archimedean point, it inverts the telescope to record transformative and occasionally anarchic encounters on the human scale. Colby maps out exciting possibilities for poetry and other spaces of representation in this stunning debut.

— Paul Foster Johnson

 

Under pressure, under duress, being a creature of habit caught in the sudden glare of utopic wishfulness, one wakes up in Fruitlands, smuggled inside Colby's intriguing and recombinant language of surveillance, pulled into suggested routes of survival and eco-linguistic liberties in a century you suddenly desire.

— Kathleen Fraser

 

Kate Colby has a gift for blending observation with lyric energy and wit. Capturing the world through a constantly shifting frame, these poems urge us to consider the difference between the "false spring" and the real one. Colby's field of reference ranges from Hofstadter to Schwarzenegger, and her ambitious title poem will leave you reeling.

— Elizabeth Willis




nysca

The publication of this book is made possible, in part, by support from:

 

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