BeauportI Want to Make You Safe
Amy King
 
O BonO Bon
Brandon Shimoda
 
BeauportHow Phenomena Appear
to Unfold

Leslie Scalapino
 
BeauportBeauport
Kate Colby
 
Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu
 
bharatjivaPortrait of
Colon Dash Parenthesis

Jeffrey Jullich
 
bharatjivaBharat jiva
kari edwards
 
No GenderNO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
 
HyperglossiaHyperglossia
Stacy Szymaszek
 
From Dame QuicklyFrom Dame Quickly
Jennifer Scappettone
 
Face Before AgainstFace Before Against
Isabelle Garron
Trans. by Sarah Riggs
 
Animate Inanimate AimsAnimate, Inanimate Aims
Brenda Iijima
 
fruitlandsFruitlands
Kate Colby
 
four from japanFour from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
 
counter daemonsCounter Daemons
Roberto Harrison
 
emptied of all shipsEmptied of All Ships
Stacy Szymaszek
 
inner china Inner China
Eva Sjödin
Trans. by Jennifer Hayashida
 
mudraThe Mudra
Kerri Sonnenberg
 
another kind of tendernessAnother Kind of Tenderness
Xue Di
Trans. by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
 
euclid shuddersEuclid Shudders
Mark Tardi
 
notebooksNotebooks 1956-1978
Danielle Collobert
Trans. by Norma Cole
 
house seen from nowhereThe House Seen from Nowhere
Keith Waldrop
Counter Daemons: Main



Excerpt from Counter Daemons

by Roberto Harrison

There are a few computer science ideas that form part of the basis of this poem. Letters such as i,j,k,a,b,c,m,n,x,y and z are commonly used by novice computer programmers as variables, especially as “counter variables,” hence, and for other reasons, the “i.” Counter variables are used by computer programmers to count how many times a program has gone through a processing loop. Loops are a common notion in computer programming, as well as being a variation on a circle, something I use often in my work. Counting, in this case, also obliquely refers to the North American Plains Indian notion of “counting coup,” which values touching an enemy over killing them in the midst of battle. In computer jargon, a “daemon” is a program that works for the operating system, instead of for the user. Some other programming terminology and ideas made their way into this project, though they are usually used in an ambiguous or polysemous way, and do not require the reader to know much about computers. Many of the computer terms in this work are used in the database query language known as SQL, or are used as common word processing terms, or can be found in the relational database language known as 4th Dimension.

 

[a variable’s light return]

i am the lemon that cuts, and the sound that turns to corn
i free shores for black birds, and gather the crabs on our necks
i revolve with your iron husk at the end of the tunnel

i am a street home for beggars      in the land of the bottomless hood

i explode at your schools

       with a drowning satellite

       as your blossoming pearl

i UNDO every word that you’ve uttered, and give it back tied

       in the lashes

       of your growing

       emergency
       colors
i frame your murders with wood

       in the apple field

       of making the paper hold words

       for the firing squad
in the shiny sphere that breaks

i see you in the trade, in the dust, in the foam

i am silent with spokes, like the unpronounceable names ive forgotten

i am smaller than birth and larger than maggots

i cross the line of your mouth

i am the window that breaks in the summer

i am the switch you turned off with

i rest in the pus of our pillows, in the clear blue skies of our bruises

i put your leg in the fire, ready to go

       through the end again

i put air in your body, smear letters on pages, and foam through flat rooms

i stuff cotton balls in your mouth when you're dead

i drill holes in your palms

i answer your questions with feet

i put an oven in greetings

i disappear in your arms

i put bugs in your rooms and listen

i dig tunnels through nightmares and wear off my hands

i take molecular steps in your cells, my travels are long

i change corners to spiraling shells

i go to the snake fair in threes

i put my face through the oceans

i switch every crime

i lose scents by the trails in the on and off skies

i slide black marks on the walls

i let out your secrets in droves

i free roaches in town

i call all the numbers i learned as the word

i dress in dried flesh


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