BeauportI Want to Make You Safe
Amy King
 
O BonO Bon
Brandon Shimoda
 
BeauportHow Phenomena Appear
to Unfold

Leslie Scalapino
 
BeauportBeauport
Kate Colby
 
Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu
 
bharatjivaPortrait of
Colon Dash Parenthesis

Jeffrey Jullich
 
bharatjivaBharat jiva
kari edwards
 
No GenderNO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
 
HyperglossiaHyperglossia
Stacy Szymaszek
 
From Dame QuicklyFrom Dame Quickly
Jennifer Scappettone
 
Face Before AgainstFace Before Against
Isabelle Garron
Trans. by Sarah Riggs
 
Animate Inanimate AimsAnimate, Inanimate Aims
Brenda Iijima
 
fruitlandsFruitlands
Kate Colby
 
four from japanFour from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
 
counter daemonsCounter Daemons
Roberto Harrison
 
emptied of all shipsEmptied of All Ships
Stacy Szymaszek
 
inner china Inner China
Eva Sjödin
Trans. by Jennifer Hayashida
 
mudraThe Mudra
Kerri Sonnenberg
 
another kind of tendernessAnother Kind of Tenderness
Xue Di
Trans. by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
 
euclid shuddersEuclid Shudders
Mark Tardi
 
notebooksNotebooks 1956-1978
Danielle Collobert
Trans. by Norma Cole
 
house seen from nowhereThe House Seen from Nowhere
Keith Waldrop
Bharat jiva: Main



Excerpt from Bharat jiva

by kari edwards

internal difference becomes a thing, to a thing in a holding cell, sealing imperial fears, disregarding the deadened landscape, unable to breathe, meeting machinery conceptions of absorption bodies, impressing mind machines working with corporal mentality on the surface everything.


so, let’s get serious, say good-bye, wait for another on-time A-bomb, cut off, collectively lost, as long as you believe in, as long as you think, as you believe in thinking in believing in . . . click your heels, repeat after me, though I can not represent myself, we must represent the not representative whole impossible to represent.


so, let’s get personal, get serious and translate violence into another form into another place in time, before the majority sings moral creation songs in the celestial cathedral till dawn . . . let’s get personal, say good-bye, I love you, someone has to die.


there must be a crazy power, intermittent instruments, and or a chain of water, unchained, rippling full, while others drop away. I think flashing panoramas, a natural harbor steeped in the sun’s implicit staying, firm ballooning speechless jest, tittering momentarily there. someplace not rip-tooth skyline frozen acetate. someplace obscure. someplace not a prophet’s immaculate condensed reality, enforced by pliers, plagued by an outside outside, grabbing disappearing starlight. there must be a world of words, uncentered decay, light penetrating flesh to bone, without a conveyor belt construct, mapping another absurd rational predicament something unfurnished, not already saturated with history’s whispering sloganisms. someplace the foot falls, surrounded in a medium, clearly falling, falls clear, gives way to conscious ramifications of disremembered walking, falls forward from the flowing lamp towards dawn’s supplement of love. there must be a dawn somewhere flashing quick, not plagued by decay and too many billowing words.

 

Pages 52 - 53 from Bharat jiva

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