bharatjivaBharat jiva
kari edwards

 

 


bharatjiva
NO GENDER

edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell



bharatjiva
Hyperglossia

Stacy Szymaszek

 

 


bharatjiva
From Dame Quickly

Jennifer Scappettone

 

 

bharatjivaFace Before Against
Isabelle Garron
Translated by Sarah Riggs

 

 


fruitlandsFruitlands

Kate Colby

 

 


four from japanFour from Japan

Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Translated by Sawako Nakayasu


counter daemonsCounter Daemons

Roberto Harrison

 

 


emptied of all shipsEmptied of All Ships

Stacy Szymaszek

 

 


inner china Inner China

Eva Sjödin
Translated by Jennifer Hayashida

 



mudraThe Mudra
Kerri Sonnenberg

 

 



another kind of tendernessAnother Kind of Tenderness

Xue Di
Translated by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson


euclid shuddersEuclid Shudders

Mark Tardi

 

 



notebooksNotebooks 1956-1978

Danielle Collobert
Translated by Norma Cole

 

 

house seen from nowhereThe House Seen from Nowhere
Keith Waldrop

Excerpt



hyperglossiaAnimate, inanimate aims

Brenda Iijima

2007 • 96 pp. • $15.00
ISBN: 978-1-933959-02-3

Jacket Magazine review by Thomas Fink, Autumn 2008

Midwest Book Review by Susan Bethany, November 2007

Leonard Schwartz interviews Brenda Iijima on Cross-Cultural Poetics, Show #146, September 30, 2007

Every Other Day review, September 1, 2007

This book is supported by the FACE OUT Jerome Foundation Regrant administered by the Council of Literary Magazines and Presses.

Purchase this book from SPD




Drawing the Animate, Inanimate Aims together, they settle into difference. With subtle contagion of body as structured text, titled ligatures in the midst, thick with emotional matériel, Brenda Iijima’s work rhymes—off or near—sight as sound. Nature for culture, culture as nature, “we/ can play school under a tree” or at war. Breaking and building in twitchy compression, the way Marie Menken’s hand-held camera swings, framed and fabulous, this exuberant tragic book of drawings and poems will hook you.

— Norma Cole

 

A kind of necessity is created here for saying, rejuvenating myths, turning anger into jouissance, making of thoughts a river of light...Beware: we won't be chagrined anymore; such subversion is the changing of the world.

—Etel Adnan




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